逻辑思维在法律文书语言运用中的重要性     

吴婉霞 《齐齐哈尔师范高等专科学校学报》2011,(2):66-68

＂以事实为根据,以法律为准绳＂是我国司法机关办案的指导原则,用精确的逻辑思维指导法律语言实践是法律文书具有说服力的基础。而逻辑思维以概念、判断、推理为其反映形式,本文拟从这三方面对逻辑思维在法律文书语言运用中的重要性加以分析、探讨。  相似文献   

A Critical Metaphor Analysis of Political News Discourse-A Case Study of News Report about Iraq     

邓筱煊 《海外英语》2015,(2)

Critical Metaphor Analysis is a new method of critical discourse analysis. It aims at revealing attitudes, believes, emo?tions and ideologies of a specific group by comprehensively adopting the knowled...  相似文献   

Libraries and Spatial Literacy: Toward Next-Generation Education     

Benjamin D. Branch 《College & Undergraduate Libraries》2014,21(1):109-114

The role of the library is to assist citizens in skills development critical to national interest and empowerment as literacy ambassadors, in general. Specifically, the work by the Federal Geographic Data Committee (1994) indicates that spatial literacy is for every citizen and not just a set of workforce specialists. Hence, the use of maps in decision making and problem solving will become fundamental to all professions, including library professionals. Thus, a spatial literacy awareness and rationale for such as standard job ability is discussed as a future librarian workforce proficiency and knowledge transfer medium.  相似文献   

“以道观之”与“以物观之”--论老庄道家道性思维方式的思想蕴涵及其现代意义     

许春华 《保定学院学报》2016,(6):8-13

在老庄道家思想视野中，“以物观之”以道、物相互割裂为前提，是一种隔绝天地万物玄同关系、滞留于世界表相的思维方式；“以道观之”则以道、物融贯合一为基点，是一种提升到大道高度看待宇宙世界和天地万物的道性思维方式。“以道观之”思维方式从整体与部分、无限与有限、本体与表相、人性与物性四个向度超越了“以物观之”思维方式，它不仅奠定了中国哲学、美学、艺术、文学等学科领域思维方式的坚实思想基础，更将成为中华民族崛起和复兴的哲学智慧资源。  相似文献   

高等数学课程改革的若干思考     

庞琳娜 《大众科技》2014,(2):125-126

文章从多方面多层次思考深化改革高等数学课程的改革,真正提高教学效果。  相似文献   

论鲁迅杂文的诗性品格     

迟蕊 《辽宁师范大学学报(社会科学版)》2011,34(3):88-91

＂诗性＂具深浅两层涵义：浅层指艺术作品的抒情性、形象性、节奏性;深层则指的是文章之魂,是作品的精神底蕴,一种含有诗化哲学意味的整体气氛。在＂匕首投枪＂的外貌下,鲁迅杂文实则包藏的是一种独特的生命形式,一种深层的诗性,即＂诗性品格＂。它是由浓烈的诗性精神、诗性情感与发达的诗性思维共同熔铸而成的。独立不倚、大爱无伪、天马行空是鲁迅杂文的诗性精神的最主要的3个方面;而诗性情感和诗性思维,则是鲁迅杂文诗性创造过程中最重要的两大基本要素。  相似文献   

高效提问在英语教学中的实施     

胡晓红 《读与写:教育教学刊》2011,8(1):19-20,4

本文以传统的课堂提问为切入点,为前人思想所启发,探究了高效提问的目的和途径,创新与突破。  相似文献   

On the elephant in the room: toward a generative politics of place on race in academic discourse     

Baudelaire Ulysse  Theodorea Regina Berry 《International journal of qualitative studies in education》2016,29(8):989-1001

Abstract

In our conceptual essay, we draw on an exchange between a White scholar and a group of panelists on Critical Race Theory at an international conference. Taking up this exchange as our point of departure, we work in dialectical and multidimensional ways between the essentialized politics of place on race and critical anti-essentializing foundations in recent Critical Race Feminism and Critical White Studies’ literatures. Working the dialectics and multidimensionality of the place that race makes in academic discourse, we recognize and ethically work through the essentialized politics of place in advancing anti-essentializing understandings of race. In articulating these anti-essentializing understandings, our conceptual essay drives at the notion of a generative politics of place on race in academic discourse. A generative politics of place holds essentialized realities and anti-essentializing foundations of race in dialectical and multidimensional tension for teaching, learning, and discussing race in local, national, and international contexts.  相似文献   

独竹漂运动的传统思维方式及其现代化变革     

李冬奎  王雁 《搏击·武术科学》2010,7(9):76-77,90

文章通过对独竹漂运动所蕴含的中国传统思维方式的解读,指出独竹漂所具有的中国传统思维方式对该运动的产生与发展的影响,认为只有变革独竹漂运动中的传统思维方式,实现传统思维方式的现代化转向,才能在文化的核心层次促进独竹漂运动的科学、规范的发展。  相似文献   

Divergent production in gifted adolescents using timed vs. untimed stimuli with creative prompting     

Gregg A. Johns  Linda W. Morse  David T. Morse 《Roeper Review》2013,35(3):165-166

Although creativity and expertise are related, they are nonetheless very different things. Expertise does not usually require creativity, but creativity generally does require a certain level of expertise. There are similarities in the relationships of both expertise and creativity to domains, however. Research has shown that just as expertise in one domain does not predict expertise in other, unrelated domains, creativity in one domain does not predict creativity in other, unrelated domains. People may be expert, and people may be creative, in many domains, or they may be expert, or creative, in few domains or none at all, and one cannot simply transfer expertise, or creativity, from one domain to another, unrelated domain. The domain specificity of creativity matters crucially for creativity training, creativity assessment, creativity research, and creativity theory. The domain specificity of creativity also means that interdisciplinary thinking, interdisciplinary collaboration, and interdisciplinary creativity are even more important than one would assume if creativity were domain general.  相似文献